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Review: ‘Romeo + Juliet,’ a Movielike Ballet in Need of Better Direction

The perfect sustained dances are for peripheral characters and don’t advance the plot. The manufacturing’s sole true hit is a quantity for 5 boys (scholars from School of American Ballet) who flip up out of nowhere. Juliet’s 5 girlfriends, arriving at the morning of her marriage ceremony to Paris, have a dance that has extra appeal and musical phraseology than the rest she will get herself.

When this manufacturing was once new, Mr. Martins forged 4 pairs of junior dancers — all underneath most important degree, and maximum in the corps — and introduced that he sought after their youthfulness to make the tale “for actual.” It paid off in phrases of the ones younger dancers’ careers. (The first-cast Romeo was once Robert Fairchild, now a Broadway title.) Yet nearly 11 years later, Sterling Hyltin, Tiler Peck and Erica Pereira are nonetheless forged as Juliet, and Daniel Ulbricht stays the first-cast Mercutio. Tuesday evening’s efficiency was once my first go back to the manufacturing since its first 12 months: Ms. Hyltin and Mr. Ulbricht have been no much less actual than earlier than.

Harrison Coll, a corps dancer who made his debut as Romeo on Tuesday, is endearingly impulsive and coltish. It’s to his credit score that he can’t making the brutal killing of Tybalt ring true. That savagery is uncharacteristic of this Romeo anyway; it’s simply any other of the manufacturing’s gimmicks.

There are 5 casts of fans this 12 months. Three of the Romeos — Zachary Catazaro, Chase Finlay, Taylor Stanley — are principals, as is a fourth Juliet, Lauren Lovette. Although Mr. Martins by no means once more took such dangers in casting his “Romeo” with juvenile dancers after 2007, he incessantly took them in the corporate’s central repertory of ballets by way of George Balanchine. This was once one of the Balanchine courses he realized perfect.

Supporting characters — Lady Capulet (Maria Kowroski), Paris (Russell Janzen), the Duke of Verona (Silas Farley), Friar Laurence (Aaron Sanz) — have mime gestures that sign up with extra pressure than when the manufacturing was once new. As with such a lot of Martins ballets, you assume, “This could be good when he gets around to finishing it.”

Andrew Litton, who's accomplishing 10 of the 11 performances, shapes the rating marvelously, even supposing moments of brass and woodwind enjoying on Tuesday let him down. From person portamenti to total sections, he in point of fact units a stamp at the tune in a method we seldom pay attention in ballet. In a number of different works, Mr. Litton isn’t all the time moderately proper with pace or as a propulsive accompanist to dancers, however right here his contribution powerfully enriches a patchy display.

Continue studying the principle tale

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