When Mr. van Zweden used to be appointed, some critics apprehensive that, since his popularity used to be based totally in large part on performances of the usual repertory, he would give new tune quick shrift. His first season is punctiliously calibrated to indicate it will have to no longer should be an both/or proposition.
Mr. van Zweden will habits a lot of outdated favorites, together with Mozart’s “Jupiter” Symphony, Beethoven’s Symphony No. five, and works by way of Brahms, Bruckner, Mahler and Shostakovich. But he'll additionally lead 5 global premieres: Louis Andriessen’s “Agamemnon,” a part of a focal point on that Dutch composer; Julia Wolfe’s “Fire in My Mouth,” a multimedia choral paintings concerning the Triangle Shirtwaist Factory hearth; David Lang’s opera “prisoner of the state,” a tackle Beethoven’s “Fidelio” and the center piece of a season-ending competition of “music of conscience”; and items by way of Ashley Fure, who will write a brand new paintings for opening night time on Sept. 20, and Conrad Tao.
“A lot of people thought I was the guy who likes Bruckner, Brahms, Beethoven — and that’s absolutely true,” Mr. van Zweden stated. But he emphasised that he were an suggest for brand new tune as leader conductor of the Netherlands Radio Philharmonic Orchestra from 2005 to 2013. “It’s fine if people did not recognize that,” he added. “But I’m very happy that I can bring some new works to the New York Philharmonic and to its audiences.”
The Philharmonic nonetheless faces demanding situations. Its musicians’ contract expired in September, and negotiations for a brand new settlement are underway. The query of simply what to do about its broadly unloved corridor stays unresolved. Ms. Borda needs renovations that may be accomplished in stages, so the orchestra isn't left homeless for lengthy stretches whilst it battles an industrywide decline in subscriptions.
The baritone Matthias Goerne, a widespread collaborator with Mr. van Zweden, would be the Philharmonic’s artist in home subsequent season, and several other conductors will make their subscription debuts, together with two girls. Mirga Grazinyte-Tyla, who lately become the tune director of the City of Birmingham Symphony Orchestra in England, will habits Sibelius, Ravel and Dvorak. Emmanuelle Haïm, an early tune specialist, will lead the orchestra in Handel and Rameau, and Matthias Pintscher will habits the New York premiere of his “mar’eh.” Returning conductors come with Ivan Fischer, Manfred Honeck, Semyon Bychkov, Herbert Blomstedt, Jakub Hrusa and Zubin Mehta, the Philharmonic’s tune director from 1978 to 1991.
The orchestra is finishing a number of new-music projects began by way of Mr. van Zweden’s predecessor, Alan Gilbert: Contact!, the contemporary-chamber-music collection that took avid gamers to smaller areas downtown and in Brooklyn; the NY Phil Biennial, modeled on art-world examples just like the Venice Biennale; and, at least in the intervening time, the composer-in-residence place. The thought, Ms. Borda stated, is to combine new-music choices extra totally into the principle season and mirror greater programming subject matters.
To host its two new up to date collection, the Philharmonic has tapped Nadia Sirota, a violist and the host of the “Meet the Composer” podcast. One collection, Nightcap, will characteristic 10:30 p.m. cabaret-style concert events by way of visitor musicians and ensembles at the Stanley H. Kaplan Penthouse at Lincoln Center programmed by way of up to date composers, together with Mr. Tao, Mr. Andriessen, Gabriel Kahane and John Adams. The different, Sound On, contains 3 afternoon concert events at the Appel Room at Jazz at Lincoln Center.
“Any discussion of serious music, of serious art, has really slipped to the side of social discourse,” Ms. Borda stated. “How do we start to bring it back to the center?”
An previous model of this newsletter misstated the level of a deliberate New York Philharmonic excursion subsequent season. It used to be to were a home excursion, no longer a world one.